Tag Archives: audio production

The goal of this session was to explore using the empress ZOIA euroburo to process audio and to experiment with the pulsar utilities as an audio processor and control surface. The Lyra is played manually while the pulsar is played through the utilities with a mixture of random note generation and looping. —LYRA—Lyra 8 tunedContinue reading “Cathexis”

The goal of this session was to explore one of Terra’s arpeggiator algorithms and sync it to an external clock. Also to experiment with using the Pulsar’s looper recorder to trigger the Nord Drum 2 with some additional MIDI CC modulation from the ZOIA. —TERRA—“Synthi” arpeggiator algorithm synchronized to external MIDI clock generated by ZOIA.Continue reading “Carillon”

The goal of this session was to explore the quantizer and sequencer modules of the ZOIA and find a tactile way to control the FX section of the pulsar. The pulsar communicates back and forth with the ZOIA via midi and a variety of CV connections to create a generative melody while the terra isContinue reading “Planchette”

Patch Notes The goal of this session was to explore the zoia euroburo’s tools for interfacing and synchronizing different instruments. The ornament sequences the Lyra and the Zoia uses pitch tracking to follow the notes the Lyra is playing and convert it into midi data in real time and send it to the Matriarch’s sequencer.Continue reading “Subterfuge”

Patch Notes The purpose of this session was to try TERRA for the first time. I used the ‘ecstacy of distortion’ polyphonic algorithm with the A microtonal tuning from the first preset. I wanted to experiment with the different variations in high frequency content added with the triangle controller and get a feel for controllingContinue reading “Quondam”